The debate about the role of social media in academia that took over my Twitter feed a few weeks ago (read about it in The Guardian and in Forbes) has prompted me to think about the role of blogging as well, particularly for graduate students, who are perhaps especially concerned about being seen as “serious academics.”
Today’s Tweets about NASSR 2016 via Storify
Professor Ramesh Mallipeddi’s course, ‘slavery and eighteenth-century literature,’ which I took a year ago, was an opportunity to consider questions central to slavery studies: What is the role of the critic in relation to the archive of slavery, where there are very few accounts of slave experience written by slaves themselves? Did the affective politics of sympathy actually ameliorate the suffering of slaves or did sentimental rhetoric simply validate the metropolitan observer? What was obscured and what was accomplished in abolitionist efforts to intervene in the slave trade and to reform plantation discipline? What role did slaves themselves play in articulating their losses and mobilizing against the institutions of racial slavery? Professor Mallipeddi tackles these questions among others in his book Spectacular Suffering: Witnessing Slavery in the Eighteenth-Century British Atlantic, which has just come out. Continue reading ‘Spectacular Suffering’: A Reading Recommendation
Recently the English department at UW-Madison hosted Professor Deidre Lynch of Harvard to present new work that appears to evolve from her last publication Loving Literature: A Cultural History (2015, Chicago UP). You should recognize the guest lecturer as one of the most influence contributors to 19th c. and Romantic studies. Earlier works remain frequently cited in contemporary scholarship, most notably her work on Austen and The Economy of Character: Novels, Market Cultural and the Business of Inner Meaning (1998). In consideration of blog readers interests in book history, archival methods, material culture, and all things 19th c. I’ve provide a brief summary of the talk title “Paper Slips: The Nineteenth-Century Album and Other Misadventures in Book-keeping” and offer comments on how the work Prof. Lynch presented could inspire scholarship to come, or at least re-think what we write in our diaries.
I’ll seize any chance I can get to talk about Lord Byron’s fan letters – and with the somewhat flimsy excuse of the 224th anniversary of the publication of Cantos I &II of Childe Harold’s Pilgrimage just around the corner (March 20, to be exact), now seems like a perfect time. Lord Byron received fan letters? Of course he did!
As a lover of anecdotes in a field (English) that doesn’t always embrace them in its scholarship, I often come upon delightful details I want to share, but can’t—in my dissertation, at least. So, it makes me especially happy to have the opportunity to write for this blog, as I get the chance to relate all the fun facts I’ve been learning in my food studies-related reading. Today, I’m expanding from my previously England-centric scope to delve into E.C. Spary’s recent book Feeding France: New Sciences of Food, 1760–1815. Continue reading “The world’s first instant mashed potato factory,” and other Romantic-era food innovations
The actor Alan Rickman passed away on January 14, 2016. He played many roles—most people probably know him best as Severus Snape in the Harry Potter movies—but to me, he will always be Colonel Brandon, a role he played brilliantly in Ang Lee’s Sense and Sensibility (1995). The film departs from the novel in many ways, as all adaptations do, but it remains one of my favourite adaptations of Austen, in part because of Rickman’s performance. So, I’d like to share five things I love about Alan Rickman’s Colonel Brandon.
I’m pleased to announce a new initiative sponsored by the Keats-Shelley Association of America and the Byron Society of America: ROMANTIC BICENTENNIALS! This project offers scholars, readers, and the general public the opportunity to get involved and to receive updates about annual symposia, related conferences, networked events, and other media celebrating 200 years of Romanticism.
The project’s main website (still under construction) is located here: http://dev-romantic-bicentenials.pantheon.io/. On the website, read about each day’s events 200 years ago, and stay informed about current scholarly events celebrating bicentennial anniversaries throughout 2016 to 2024 (Geneva to Missolonghi). There will be one major sponsored conference each year: this year, it’ll be on May 21st, at the New York Public Library, celebrating the Genevan Summer of 1816.
Reach out if you would like to get involved — we’re looking for people to live-tweet events with our hashtag #Romantics200! We are also looking for scholars to participate in the annual symposia, as well as to attend the networked events throughout the year. To stay in touch, connect with us through our Facebook page: https://www.facebook.com/romanticbicentennials/. (A twitter handle is coming soon). And write to me if you have questions!
My sister and I have two very important holiday traditions: 1) we always go to a haunted corn maze before Halloween, and 2) we always watch The Muppet Christmas Carol before Christmas. We don’t often admit to the second tradition (and when we do, we kind of pretend that we only enjoy the Muppets “ironically”), but it’s something we’ve done for as long as I can remember. It just doesn’t feel like Christmas until Katie and I are sitting on the couch, singing along to the song “Marley and Marley” while two enchained muppet ghosts rattle around the TV screen, bemoaning their eternal punishment.
There’s a scene in an episode of the animated series Samurai Jack where the Scotsman encounters an old man in the port who wishes him to tell him a tale. When the Scotsman asks what it is there’s a long pause before the old man cackles out, “The Rime of the Ancient Mariner!”
The Scotsman then bellows, “Heard it!” and shoves him out of the way. Continue reading Romantics as Rappers, Superheros, Real Estate Tycoons, and Immortal Allusions of Power